“I would describe [the play] as an attempt at a big blockbuster, dystopian world-building story… it’s always been a popular genre, the dystopian future thing, and I’ve always been drawn to it. It’s pretty hard to do on stage effectively… I started [writing] it in 2018 and I was just like, ‘Let’s see if I can do it.’ … I just started building this 30-years-in-the-future world. I created the astronaut—the Mars man—who could come back and encounter a new world…
